Cock Sparrer’s Shock Troops was probably the first great ’77-style punk album that wasn’t made in the '70s. It arrived, in fact, a full six years after 1977, and by then all the first wave greats had either broken up, changed their sound, or simply started to suck. Punk music, so fantastic in its early years, had taken a very wrong turn. Hardcore and anarcho-punk were taking over. Melody was suddenly out of vogue. The rockin’ influence of the Stooges and New York Dolls was barely detectable in the happening punk sounds of the day. New bands were aping The Exploited; old ones were experimenting with new wave or things far worse than that (see “Clash, The”). It would be a massive understatement to say that 1983 was not one of punk rock’s greatest years.
Cock Sparrer, if it had been commercially successful the first time around, surely would have gone down the same road its contemporaries traversed: one or two good albums, one or two somewhat shitty albums, and then some unfortunate foray into post-punk or dub or goth or metal or blue-eyed soul. But luckily for us, Cock Sparrer failed miserably in the '70s. Its two singles on Decca Records sold about 12 copies combined. The group recorded a full-length album that no one had any particular interest in releasing (it would remain unheard for almost 20 years!). Having been slugging it out since its mid- '70s origins as a Small Faces influenced pub rock band, Cock Sparrer had had enough and called it quits in 1980.
Then, in an odd occurrence, the burgeoning Oi! movement took a liking to Cock Sparrer’s working class punk sound (most notably, “Sunday Stripper” appeared on Oi! The Album). Suddenly, there was a “market” for Cock Sparrer. The band reformed in 1981 and returned with a vengeance, its formerly glam/rock tinged style now evolved into straight-up powerhouse punk. One year later, the group released its classic single “England Belongs To Me”. Unlike the two Decca releases, this single was not met with indifference. It garnered a lot of attention, some of it negative (the British press took it upon itself to point fingers at the band when certain unsavory elements of the right wing co-opted this catchy, patriotic number). B-side “Argy Bargy” was a beast of a tune as well, and there was no stopping Cock Sparrer at this point. Having escaped a certain decline by sitting out much of the late '70s and early '80s, the band was ready in 1983 to deliver a classic 1977 punk LP.
And what an LP it was! With its sing-along choruses, boisterous Brit-accented vocals, and proud working class bent, Shock Troops would prove to be a standard-bearer for the street punk/Oi! sub-genre. But its moderate tempos, Buzzcock-ian guitar leads, and melodic style were throwbacks to punk’s first wave, songs like “Where Are They Now”, “Riot Squad”, and “Take ‘Em All” arriving just in time to assuage the thousands of earaches brought on by punk’s new breed. The disillusionment of “Where Are They Now” (“Six years on/and they've all gone/Now it's all turned sour”) may be social and political in nature, but it could just as easily be musical. Yes, indeed, it had all gone sour, the great, fiery idealism of, say, Stiff Little Fingers, The Clash, or Chelsea already a distant memory, replaced by the tuneless monotony of hardcore and thrash. But Cock Sparrer had arrived to take punk back to where it had come from, armed with big, catchy anthems and melodies equal to the message. After a couple of spins through the aforementioned tracks or equally ace tunes like “Working” and “I Got Your Number”, you could easily assume that Shock Troops is not a studio album, but rather a best-of collection! “England Belongs To Me” (not included on initial pressings but present on any version of Shock Troops you’ll find) is not remotely fascist – if only “America the Beautiful” were as catchy and inspiring!
Cock Sparrer would release another fine album, Runnin’ Riot in ’84, before calling it quits in the wake of so much misplaced negative media attention. But since the mid-'90s, the band’s been going strong non-stop (the most recent long player Here We Stand is probably the group’s best in decades), with original members Colin McFaull, Steve Burgess, Steve Bruce, and Mickey Beaufoy all remaining on board. But really, the ONLY Cock Sparrer title you need is Shock Troops. No fan of ’77 punk (or good music, period) should be without it. It’s one of those discs you can put on, and no matter who’s with you, people are gonna be like, “Hell yeah! Shock Troops!” Song after song, you just can't help singing along and pumping your fist, your soul stirred to go out and kick some ass! It’s very easy to abuse the term “classic” while writing about music, but in this case it’s no stretch. If you’re trying to name all the no-doubt-about-it classic punk albums, Shock Troops HAS to be one of ‘em!
-Josh Rutledge
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